You are very busy at the moment, with lots of travel and residencies. Can you tell us a bit about your current creative projects?
I have just returned from the Arts Territory Exchange Residency in Italy. ATE is a global network of artists responding to their local territories, beginning with a simple correspondence program with another paired artist. My collaborator in the project is Norwegian artist, Beatrice Lopez and we have been developing work for a year via digital and postal means before meeting physically in the residency. It was great to meet Beatrice and work on some ideas we had about performances designed for two people in the Italian landscape.
I have been selected for Cementa Contemporary Arts Festival to be held in Kandos in November 2019, along with collaborators Jo Roberts and Jason Richardson from Griffith. We are developing a project called ‘Medium - A Collaborative Space’.The idea is to develop a space to make, listen and re-imagine connections with others. We will meet up in Kandos in January to stitch ideas together for the Festival later in the year.
I am also making work for the Art of the Threatened Species residency, curated by Dr Greg Pritchard. Twelve artists have been selected to make work about ten threatened species. It is a collaboration between the Office of Environment & Heritage, Create NSW and Orana Arts as part of the NSW Government’s Saving Our Species program. The work will form part of a group exhibition to be shown in 2019 at the Western Plains Cultural Centre, Dubbo. Other contributing artists are: Nicola Mason, Cathy Franzi, Amanda Stuart, Anna Glynn, Bec Selleck, Bridget Nicholson, Vicki Luke, Tullulah Cunningham, Alison Clouston, Peter Boyd, Peter Dalmazzo.
I have just started developing more work in an on-going collaboration with artist and writer Julie Briggs, who is located in Narrandera. We will be making work about the landscape in response to experiencing a performance held at Artlands Bendigo recently.
You have attended Artlands and Artstate conferences, both in 2018 and in past years — what benefit are these events to a regional artist wanting to engage with the sector?
I can’t stress enough the benefits of the regional conferences to artists. As a regional artist you need to go and find the people who will feed and support your practice and to whom you don’t have to continuously explain yourself. This is especially the case if you are working in a contemporary and conceptual way. The conferences provide a context for making work regionally and also provide connections regionally and internationally.
Artlands Dubbo 2016 activated my art practice in a whole different direction. I heard theatre director, Wesley Enoch speak about making five new connections with people when you walk out the door, which I literally did. One of those connections was with Dr Greg Pritchard, who has acted as an informal mentor for me ever since.
I have just returned from Artlands Bendigo 2018, where I am still processing a range of inputs. One of the key messages for me was thinking about ways small communities can themselves become cultural producers for a range of reasons — creative and social reasons — not just economic.
The conferences also have attached exhibitions and festival programs which are a great way to see what everyone is producing, to see the context in which you make work. I recommend any artist to check out various options to get themselves to a conference via grants, presenting, volunteering or gatecrashing!