Annie McKinnon is a creative technologist and sound artist, currently based in Sydney. Annie grew up in Coonabarabran and moved to Sydney in 2010 to study a Bachelor of Sound and Music Design at UTS. After she completed her studies she started as a research assistant in the Interaction Studio and as part of that team became much more immersed in interaction design and creative technologies.
Annie has come on board for Lab 2 of CETA: Ukerbarley and after an intensive and invigorating stint working on the project, she shares her thoughts with us in the first of a two-part interview.
On working as a creative technologist:
I work with electronics, sound and software to create artworks or products. I’ve worked in lots of different industries with many collaborators. CETA is so different to the project that I was working on twelve months ago – to design an exhibition that would tour for three years – so my project briefs are always changing. I’ve got a bit of a mish-mash of skills so I get to work on quite varied things; really I’m a bit of a ‘jack of all trades’ – sometimes that’s hard and sometimes that's good. It’s a bit of a rollercoaster. You don’t always know when your next job will be but it’s exciting to be an artist in this space – it’s always changing and evolving, and I’ve always got new tools to work with, which I really love.
On technology and art:
I don’t think that tech and art necessarily have to work together. I think it’s important that each of those things separately are always commenting on one another—as an artist you can use technology as a tool just like a painter uses a paintbrush. As a technologist, being aware of art and the value of art and how that can inform your practice is important as well… I do think that our current society is very dismissive of artists and art and the value that it brings, which is to our detriment because a lot of the time art is able to communicate things that we don’t yet have a language for or capacity to explain.
Technology is something that is ever-changing and rapidly morphing our world into something new – it’s uncharted territory – and using art and tech, those two things working in symbiosis will bring an understanding that will be much richer than the two being totally singular. There’s a cross-pollination and from that you get some really exciting things.
On the mentor role in CETA:
My role in CETA is as a mentor to Paris Norton but I see Paris much more as a collaborator and a friend—we get along really well and our families are both from Coonabarabran. It was probably ten years ago when I saw Paris at a friend’s birthday party and we started talking – it was pretty late at night – and we both were really keen even at that time to talk about ideas.
I do remember saying that it would be really cool to work together one day so it’s really great to finally – ten years later – have that opportunity. I’m really excited and grateful that Paris and Orana Arts contacted me to be a part of this project because I think it’s really important and exciting.
Click here to read part two of our interview with Annie McKinnon — about the CETA Ukerbarley project and her response to the Ukerbarley environment.