The aim of the Left Field Project is to build the skills and confidence of regional Aboriginal artists, providing them access to professional Aboriginal artists who work in a contemporary way. LFP challenges the stereotypes of Aboriginal artists and gives them the freedom to express their individuality through new mediums and concepts.



Orana Region
Blacktown Arts Centre
Casula Powerhouse Arts Centre


2015: mentorship
2016: Wala-gaay
2017: Faith


Aleshia Lonsdale | Alex Nixon
Dylan Goolagong | Robert Salt
Paris Norton | Jason Russell
Lachlan Goolagong | Jason Wing
Nicole Monks | Colin Brooks Jnr
Blak Douglas | Chico Monks
Nicole Monks


The Left Field Project was an intensive 18-month program for artists, working individually and as a collective, to explore and challenge their artistic practice. The artists were supported by leading Aboriginal contemporary artists: Jason Wing, Blak Douglas, Nicole and Chico Monks and Jonathan Jones – and co-curators Khaled Sabsabi from Casula Powerhouse Arts Centre and Emily McDaniel. 

Our artists found the exchange both challenging and rewarding through the shared process of creating and developing work for the final exhibition, Wala-gaay. In 2017, the process of developing new work and showcasing a growing creative and professional capacity continued with the Faith exhibition at the Casula Powerhouse Arts Centre. 

The Wala-gaay exhibition at the Fire Station Arts Centre in Dubbo, image credits: Alex Wisser. 

The outcomes:


Wala-gaay in the Wiradjuri language refers to the bare part of the tree where bark has been stripped off. Wala-gaay was an evolution of trust, conversations, unique stories and experiences that evolved into the creation of new contemporary works that provoked and challenged the notion of contemporary art, Aboriginal art and art produced by regional artists in regional settings. Wala-gaay's audience response was beyond expectations, with positively glowing reviews from the local audience and leading arts magazines, from major institutions and fellow artists. You can view the exhibition catalogue here.

While there were moments where the viewer could see the influence of a mentor, there was more a sense of artists entering a field of practice rather than imitation, and the diversity of the work was a testament to the benefits of structured support and creative dialogue. It was exciting to see a local event that so clearly stood out in an abundant program of interesting work from around the nation.
— Liz Bradshaw, 'Reimagining Regional', looking at Wala-gaay as part of Real Time Arts coverage of ARTLANDS 2016


LFP2 emerging artists have pursued solo shows and other group exhibitions. In 2017 Paris Norton exhibited at First Draft in Sydney as part of walan yinaagirbang | strong women (going on to have a solo show in 2018) and Aleshia Lonsdale has had exhibitions at Artisan on Lewis in Mudgee and the Western Plains Cultural Centre in Dubbo (as part of HomeGround). 



Coordinated by Orana Arts and in partnership with Casula Powerhouse Arts Centre, Faith presented newly commissioned works by participating artists from the Left Field Project. Since the establishment of the Left Field Project three years ago, this exhibition was the first time for some of these artists to produce works independent of and beside their mentors as equals for a group exhibition. You can view the exhibition catalogue here.

The Left Field Project 2 is a visionary, essential, critical, holistic, long-term and ongoing mentorship program, which has significantly increased the quality and professionalism of contemporary artists in regional Australia... I wish that I had received such a valuable boost to my career as an emerging artist that LFP2 has provided.
— Jason Wing, mentor artist
Faith, the LFP Casula Powerhouse Arts Centre exhibition, image credits: Ben Williams Photography.